not a perfect metaphor

Due to the combo of the ongoing Eight Days of DWJ project and being on the Otherwise judging committee, this has been one of my best years in recent memory for reading actual books and my worst for keeping up with write-ups.

( Books read, 2025 )

As usual, I'm hoping to write up many of the ones I missed and will probably not in fact actually get around to most of them, so feel free to ask me about any of them -- I'll try to either do a short version here or get myself together for an actual post!

For my last post of 2025 I feel it is incumbent upon me to talk about the wildest television show I watched in 2025, the kdrama Genie, Make A Wish.

The high-level premise of this show: a GENIE, who is also SATAN, has been IMPRISONED for ONE THOUSAND YEARS because he's supposed to seduce humans into CORRUPTING THEMSELVES and instead he met a PURE SOUL who used her WISHES FOR GOOD and caused him to LOSE his BARGAIN with GOD.

Now! he has met her REINCARNATION! however! instead of being a PURE INGENUE WAIF! the reincarnation is an ETHICAL SOCIOPATH who has been STRICTLY TRAINED in NOT MURDERING PEOPLE by her BELOVED GRANDMOTHER! and whose first reaction on meeting a magical immortal genie is 'at last! someone I can ethically shove off a building!!'

(This meeting happens in Dubai, btw. The show is very obviously at least in part sponsored by the Tourism Board of Dubai and the cast are frequently hopping back and forth there to Shop Our Beautiful Bazaars and speak in variably competent Arabic; however, as a result, this means the backstory involves historical trade routes! the last time I saw that was in Queen Seondeok!)

ANYWAY, now, the challenge is on: will ethical sociopath Ki Ka-young be CORRUPTED by SATAN the GENIE? or will she once again make SELFLESS WISHES and condemn the genie to have his THROAT SLIT by an ANGRY ANGEL OF DEATH?

There are also some side characters! People in Ki Ka-young's orbit include her SAINTLY GRANDMOTHER and her BEST FRIEND, a LESBIAN DENTIST. People in the genie's orbit include his GIANT PANTHER MINION, the ANGRY ANGEL OF DEATH, and a SMALL BOY who consistently beats him in Mortal Kombat. There are also some LOCAL COTTAGECORE YOUTUBERS, a circle of ADDITIONAL JUDGMENTAL GRANNIES, a RELATIVELY UNIMPORTANT SERIAL KILLER, an EVIL IMMORTAL CHILD, and DANIEL HENNEY, in a role that ( I will not spoil except under a cut )

Let me be clear: is this drama good? no, I do not think so. Do I have arguments with its determinations about what does and does not count as a selfless wish? sure. Did I enjoy it? TREMENDOUSLY. Did I at any point have any idea what was going to happen next in this absolute mad libs of a plot? NEVER ONCE.

however, the thing that made me shriek most about the drama is a major mid-show spoiler ( regarding Beloved Grandma )

The Queen's Embroiderer: A True Story of Paris, Lovers, Swindlers, and the First Stock Market Crisis did quite a good job of giving me historical context around the lives of artisans and upwardly mobile bourgeois in 17th and early 18th century France and only a mediocre job IMO of convincing me of its central argument, but I was reading it for the former and not the latter so I can't say I was disappointed per se ...

As the author, historian Joan DeJean, introduces her narrative, she was browsing the National Archives when she came across two documents: the first, appointing Jean Magoulet as official embroiderer to Queen Marie-Thérèse of France; the second, decreeing that Magoulet's daughter Marie Louise should be put in prison and deported to New Orleans on charges of prostitution. DeJean immediately dropped what she was doing to Get To The Bottom Of This and went on a deep dive into the entire Magoulet family as well as the family of Louis Chevrot, the young man whose involvement with Marie-Louise resulted in the charges above.

In order to write this family saga, Joan DeJean has pulled out every relevant family document -- marriage licenses, birth certificates, guardianship statements, criminal charges, recorded purchases, etc. etc. -- and she does a clear and interesting job of explaining what we can learn from them, what these kinds of documents normally look like and what their context is, what the specific features of these family documents imply, and letting you follow her logic with your own brain. I appreciate this very much! I had no idea, for example, that it was standard in 17th-century France for the court to appoint a guardian for any child who lost a parent, even if they still had the other parent living, to ensure that their financial interests were protected, something that came up often in this narrative where a lot of kids were losing parents in situations where their financial interests were not particularly protected. It's a really good example of historical detective work, how you can draw a picture of a family through time through the bureaucratic litter they leave behind, and I appreciated it very much.

On the other hand, Joan DeJean also occasionally slips into writing like this --

In the course of their attempts both to get rich quick and to save their skin when they got into bad straits, the Queen's Embroiderers became imposters, tricksters, con artists nonpareil. They lied about everything and to everyone: to the police, to notaries, to their in-laws. They lied about their ages and those of their children, about their professional accomplishments and their net worth. They caroused; they philandered; they made a mockery of the laws of church and state. The only truly authentic thing about them was their extraordinary talent and their ability to weave gold and silver thread into the kind of garments that seemed the stuff of dreams. In their lives and on an almost daily basis, haute couture crossed paths with high crime.

Savage beauty indeed.

-- which made me laugh out loud every time it happened. So, bug, feature? who could say ....

Anyway, Joan DeJean makes a pretty good argument for most of the family gossip she pulls out about the Magoulets and the Chevrots, but the center of her argument about the Great Tragic Romance between Marie-Louise Magoulet and Louis Chevrot rests on a really elaborate switcheroo that I simply do not buy. In drawing out her family saga, DeJean has become obsessed with the fact that there seem to have been two Marie-Louise Magoulets, one being more than a decade older than the other, and, crucially, also more than a decade older than Louis Chevrot; ( I guess this is technically spoilers for a three hundred year old scandal )

But a.) context about material culture and craftsmanship is what I was here for and context is what I got, in spades, and b.) if you're going to invent a historical conspiracy theory, make it as niche as possible, is what I say, so despite the fact that I don't BELIEVE DeJean I still spiritually support her. Has she perhaps connected a few more dots than actually exist? Perhaps. But I still certainly got my money's worth [none; library] out of the book!

Every year I'm like "I should really read the Neon Hemlock novellas" and then perhaps I actually manage to get around to reading one of them, but this year I ... thought I had read all of them because I thought there were only four published but it turns out in fact now that I check there were several more than that. Well! I read four of them! They were all very gay and very tropey; under these subheadings, I enjoyed two of them quite a bit, one of them didn't hit for me, and the last one I found incredibly frustrating, for personal reasons.

The two I liked were No Such Thing as Duty, by Lara Elena Donnelly, and The Oblivion Bride, by Caitlin Starling. Both of these have a definite air of fanfiction about them: No Such Thing As Duty is a 'what if my favorite historical guy met a sexy vampire' fic, the favorite historical guy in question is W. Somerset Maughan. I have come to the conclusion that I'm really quite charmed by this sort of thing as long as the favorite historical guy in question is not a pre-existing big seller like Christopher Marlowe or Charlotte Bronte but someone who I actually have to look up:* the author's real victory is in making me Wikipedia their special historical guy and go 'whoa, sure, lot going on here actually'

*I'm aware this is very subjective and there are many people out there who don't have to go to Google to know basic things about W. Somerset Maughan. But they ARE a lot fewer I think than the people who don't have to go to Google to know basic things about i.e. Lord Byron. That said, if you are experiencing boredom at the idea of Yet Another Sexy W. Somserset Maughan fic, I'd love to know about it.

The Oblivion Bride meanwhile is a classic Lesbian Arranged Marriage fic that, per the author's note, appears to have grown out of a Dishonored fic the author wrote several years back. I don't know anything about Dishonored so I can't tell you much about that. What I can tell you is that she's a normalgirl cadet member of an important family who's been thrust into an important political position because all her actual aristocratic relatives have mysteriously died, she's an icy cold Murder Alchemist General and also Magical Detective who's marrying her by order of the prince to solve the mysterious deaths and keep the political assets in the hands of someone loyal to the throne; could they actually fall in love? The answer will shock you! Anyway, I like tropes, and I like lesbians, and I like that Caitlin Starling is never afraid to lean into her id; I was as happy to read this in novella form as I would have been on AO3.

The Dead Withheld by L.D. Lewis is the one that didn't quite hit for me -- it's a supernatural noir about a PI who can talk to the dead investigating the cold case death of her wife, and it is doing exactly what it says on the tin but something about it never quite grabbed me. Too short? Not enough oomph? Anyway, it might grab you!

and The Iron Below Remembers by Sharang Biswas drove me up a wall, in large part because the worldbuilding it's doing is extremely playful and interesting and fun -- it's set in an alternate universe where a South Asian empire was the major early colonial power instead of Rome, and their abandoned artifacts and technology power contemporary superheroes. The protagonist is an academic dating a superhero; the text is heavily footnote-studded and 50% of the footnotes are really fun and interesting little explorations of this alternate history. Unfortunately for me, the actual plot laid on top of this rich worldbuilding is all Gay Superhero Relationship Drama and the other 50% of the footnotes are gossipy anecdotes about the protagonist's sex life. This is certainly going to be a feature for some people but was, alas, a bug for me; every time I went through the effort to click through the annoying footnotes format on my digital edition I was really hoping to get a meaty paragraph about what happened after Siddhartha marched into the city of Rime and did not feel rewarded any time I got a smug half-sentence about shibari instead.